"How does one create a home away from home? How do you decorate your living space in a new place? Our homes provide a place of sanctuary and security. They reflect our sense of identity socially and culturally. The objects we choose to place in our living spaces help define who we are, an exteriorisation of our inner condition. They are the distillation in physical form of our essence as physical beings".
-Maurice Merleau-Ponty, Phenomenology of Perception
What happens when we are forced to move and live in circumstances not of our choosing? How do we inhabit these foreign spaces and make them our own? Do we recreate an identical space to the one we left behind? Are these the traces of memory and nostalgia of our ‘true’ home? Is it possible to not feel at home in our place of origin and find a home elsewhere that feels like we’ve always belonged?
These are the questions and concerns that I explore without preconception of desired result. What is found, is what is found. Whatever comparisons or similarities that may exist are open to the viewers interpretation. Read More
Sat in a chair, the artist engages visitors in a metaphorical verbal “dance” of speech, expression and creation, opening each conversation with them by using the phrase “That is inhumane”. Jumbled words, responses, emotions — all are set down on paper, to be decoded later, transmuted into a structured work, transformed into poems, texts, songs that give meaning and form to ideas and thought. Performance at the opening of Transmission art festival in Athens, Bagkeion. Read More
Motion-less video is a rhythmical coexistence of two different kinetic environments. Nature and urban. A compatible motionless body is performing in harmonious, agreeable or congenial combination with the elements that surround it. According to Gaston Bachelard, Immensity is within ourselves. As soon as we become motionless, we are elsewhere; we are dreaming in a world that is immense. Indeed, immensity is the movement of motionless man. It is one of the dynamic characteristics of quiet daydreaming. Read More
November 18th, 19:00 - 20:00 Read More
Pirate Cinema talk at the Athens Biennale, Varvakeios, Athinas Street, on the square opposite the market building
Athens Biennale OMONOIA resumes its action with September events. Artists from Greece and abroad refocus on Omonoia square, exploring diverse ways of interaction with the Athenian public. All the projects have as a reference point the venue of Bageion and the venue opposite of Varvakeios Market, which the Municipality of Athens has offered in the context of the co-organization of the Athens Biennale OMONOIA.
http://athensbiennale.org/en/nea/september-events-2016/ Read More
The series of participatory performances was developed in Aspropyrgos, which is located 18 kilometers from Athens. The town has 30,000 residents today that coexist with many immigrants of different nationalities who arrive as seasonal agricultural workers. Read More
This town has been exclusively rural and unfolds the story of the history of Greek development from agricultural to industrial and then to the post-industrial era.
The project is experiential and inspired by the rural life, the cultivation of food and the post-industrial phase of the area.
Emilia Bouriti is a choreographer and artist. She studied Performance and Visual Art with a master in Performance at Brighton University. Her work combines performance and installation, as she works on a site specific basis. She also creates "integrated performance" works, where body movement, the spoken word, visual art and music create a dynamic dialogue. Emilia teaches part-time at Fontys University Holland and at the Athens School of Fine Art. Read More
Acts of Engagement: Light and life bring a message of hope and unity through art. Events continue tomorrow in Omonia at the amazing exhibition space, Bagkeion.
Vilelmini Androti is a Greek choreographer and sociologist, who considers her body as a vehicle to activism. As an artist based in Athens in the heart of the economic crisis, she both witness and experience vulnerabilities exposed by structures of economic inequality, which has deeply affected her work as an artist. Throughout her work she questions the boundaries of fragility, vulnerability and precariousness. She has been using her craft and dance theatre group Periigites (Wanderers) to propose an understanding of vulnerability. Read More
Yvette Vasourkova is a founding member of Centre for Central European Architecture (CCEA) in Prague. Besides her curatorial activities, as an architect she is also involved in MOBA, a multi-purpose architecture platform, which she founded together with Igor Kovačević. She is a member of editorial board of Era 21 magazine. In the context of the ACTS OF ENGAGEMENT conference Yvette presents the inititiation processes on two projects in the public sphere she is currently involved in, the Negrelli Viaduct project in Prague, and MAGISTRÁLA = NOVÁ PRAŽSKÁ TŘÍDA.
Yvette Vasourkova presented the talk "In between city scale? in the context of the ACTS OF ENGAGEMENT conference, organised by Contemporary Art Showcase Athens in the context of the Athens Biennale AB5to6 "Omonoia. Read More
ACTS OF ENGAGEMENT Artists' talks at Bagkeion as part of the C.A.S.A. program for the Athens Biennale, September 2016. Read More
Contemporary Art Showcase Athens presents the results of ACTS OF ENGAGEMENT | Cycle I in the context of Athens Biennale AB5to6 Read More
Tomorrow at 19.30 the opening of the exhibition and the performances on the Omonoia square.
The exhibition will continue on Sunday from 12.00 to 21.00
and the symposium will take place at 19.30 at Bageion Hotel, Omonoia.
Quickly-made banners, with barely distinguishable slogans, manifestos on flyers spread in the streets, meet the lonely paths of the single protestor, the artist. This time the slogans are not in demand of a relief in taxation or a change of law. They aren't directed to ministers and member;s of parliament. They begin from the question: "What should we do with art when we are starving?" Therefore, the banner "We want an art for the starving, no more works for the privileged" that was placed by Diafas on the facade of the Bagkeion on Omonoia Square, which hosts the Athens Biennale, is a cry directed towards artists. The work hints towards the notion of a more active relationship between art and society, which is the topic of Tomas Diafas' research. Read More
The "Syn+" performance focuses on people’s connection with one another. In his attempt to wrap a transparent plastic membrane around himself and his viewers, the artist ties himself tight up to another person, then to somebody else and so forth until all of us are tied up to one another. After the creation of a complex net resembling an umbilical cord that keeps all of us close together, the least movement of a single person is communicated to the entire cluster of the tied up participants arousing the need for awareness. It is, in fact, a transparent net that captures everything inside as it spreads all over the place from the one end to the other. A developing activity which the viewer is invited to get involved with, to trust, to keep it going or put an end to the performance. Read More
The “permanent residents” of the Omonoia Square, are in a continuous stand by state, waiting to be relocated (literally or figuratively). In 2016 the child population of the square has rapidly increased, a temporary safe-haven. During the “Acts of Engagement” workshop the artist approached the people of Omonoia Square –young and old- collecting wishes in the form of drawings. The majority of the participants were children and they used drawing to illustrate their wishes on flying lanterns. Those objects function as wish-carriers creating with their flight a mental vertical axis from the center of the square towards the universe. Read More
The action takes the form of a celebration in the center of the city, with ceremonial elements, held on the public space of Omonoia Square, which acted as a in-promptu social gathering with a large participation by the public. The festivities are is food and drinks distributed by the social kitchen independent solidarity group "O Allos Anthropos". Street musicians are also involved the festivities. The public actions on the square, the sharing of food, dancing and singing, bring people together, a friendly coexistence under the symbolic idea of sowing. Within this setting, the ritualized action of the "sowing of the seeds" is undertaken by the artist, who spreads clay balls containing wheat seeds on the square and the surrounding areas. Read More
"Omonoia, the "Concord" square, is a heavy gray platform, a gravestone, the tip of the iceberg, an old boat left useless in the middle of a desert, motionless and hostile. It literally sums up the "welcome to Greece" banner visible from the square, and from the Bagkeion building. "Infantry square" as an experiment-performance-experience exploring the reality of addressing a speech to an uninvited audience,a random one constituted by the inhabitants of the square, a non-audience. A group of multinational people, passerbys etc. The persona that I manufactured for this purpose concentrates some of the characteristics that are required for a cause like that with some additional contradictional traits." Read More
In May, Contemporary Art Showcase Athens had the honor of collaborating with Francesco Kiais, member of the curatorial board of the Venice Performance Art Week; Francesco's talk "ABOUT LOVE " was presented at the Bagkeion as part of the C.A.S.A. program for Athens Biennale AB5to6 "OMONOIA". Read More
PUBLIC INTERVENTION in the context of Transmission art festival Athens - Karlsruhe. Read More
Containing as it did an interventionary practice, the performance “DemiGloire” forced visitors to witness, from the exterior spaces of the Biennale building, the Bagkeion Hotel, the expansionary raising of a white flag, from the interior spaces, transformed into a workshop, inside which the entire action was produced. Both the commonplace and 34 hours-long production procedure inside the space, and the “communication” with visitors who gradually discovered the relationship between destination and source, created the impression of a call to international truce through a symbolic procession, which in the end made its way towards the centre of Athens.